8fbd035081bd09934004bfc61d79c31c5d5d9ee4

Kitchen of the Week: Now you see it; now you don’t

Contrasting patterns in similar monochromatic tones create the interest in this kitchen in a new build in New Plymouth. The rear cabinetry is Vida Space Shinnoki Chocolate Oak veneer.

Gina Fabish

Contrasting patterns in similar monochromatic tones create the interest in this kitchen in a new build in New Plymouth. The rear cabinetry is Vida Space Shinnoki Chocolate Oak veneer.

With the kitchen being the absolute centre of family life, it makes sense to assign it a fair bit of your design planning and budget when you are building a new house, and that’s what this New Plymouth family did.

Their kitchen needed to be an integral part of the architecture of their home, which features a 6m-high living area and mezzanine garden that allows indoor plants to cascade down the wall.

Maintaining a strong, defining monochromatic colour palette was also crucial, helping to determine both the design and material selections by kitchen designer Annika Rowson.

Pocket doors open up and slide back to reveal a huge butler's pantry with a rendered splashback. The benchtop and monolithic block at the end of the island feature White Macaubas granite.

Gina Fabish

Pocket doors open up and slide back to reveal a huge butler’s pantry with a rendered splashback. The benchtop and monolithic block at the end of the island feature White Macaubas granite.

She specified Vida Space Shinnoki Chocolate Oak veneer for the back wall to meld back into the generous space. A butler’s pantry is cleverly concealed by Hawa bi-folding pocket doors that smoothly open and slide back into the cabinetry to eliminate door swing when in use.

The cabinetry also features one Blum space tower pantry that allows for easy access to everyday food items. Additional storage is provided in the lower cabinets, along with a beverage fridge.

Rowson says she introduced a rendered splashback and shelves to bring texture and softness to the space.

And the hero of the kitchen is the beautiful island, which features a block end in White Macaubas granite, along with an integrated granite sink for a seamless aesthetic. The textured island front panel by Sage Doors continues around to the cabinetry fronts on

Read the rest

Kitchen of the Week: No ‘fuddy-duddy white’ for this ’40s home renovation

Dark-stained oak veneer is teamed with a smoky blue on the cabinets in this new kitchen in a 1940s house. Designer Leanne Harley eliminated corner cupboards to improve access to stored items.

Mark Scowen

Dark-stained oak veneer is teamed with a smoky blue on the cabinets in this new kitchen in a 1940s house. Designer Leanne Harley eliminated corner cupboards to improve access to stored items.

Choosing to downsize to another house rather than opt for a retirement village was a priority for the new owners of this 1940s red brick house in Auckland.

But first they had to do something about the position of the kitchen, which was in a back room well away from the family living space. In the era when the house was built, the person preparing the meals was relegated to a room of their own, but that wasn’t going to cut it for the new owners, says Auckland designer Leanne Harley.

“They like to entertain, and wanted to open it all up and make it very interactive, with an island,” she says. “The kitchen is now in a completely different position – a wall was removed to create a large open-plan area.

Hexagonal <a href=splashback tiles are a perfect colour match – the colours in the kitchen were inspired by seashells.” style=”width:100%;display:inline-block”/

Mark Scowen

Hexagonal splashback tiles are a perfect colour match – the colours in the kitchen were inspired by seashells.

“The wife also said she didn’t want any ‘fuddy-duddy white’ – she didn’t want the kitchen to be boring.”

Harley says she loves working with colour, and the Dulux Five Fingers Peninsula chosen for the cabinetry provides a “lovely depth of colour that’s calming, moody and thought-provoking”.

The colour choices were influenced by seashells collected by the wife, but the designer says, the husband wasn’t sure of the blue at first: “He said he wanted a more muted palette – off-white was mentioned – but that was not part of the original brief, and it would

Read the rest